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    • AVID Eleven Rack Amplifier Emulation with Pro Tools
    • AVID Eleven Rack Amplifier Emulation with Pro Tools
    • AVID Eleven Rack Amplifier Emulation with Pro Tools
  1. AVID Eleven Rack Amplifier Emulation with Pro Tools

    Retail Price: R13,699.00
    Your Price: R12,785.00
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Get the guitar tone you've always dreamed of
Gain access to the most coveted amps, effects, and creative tools in the world. Designed for guitarists and bass players, Pro Tools | Eleven Rack delivers a truly versatile music recording and live performance experience. Discover infinite creative possibilities with Pro Tools software. Crank up the legendary guitar and bass tones of your favourite amps and stompboxes. Customize your tone by swapping out speaker cabinets and microphones. And get the DSP-accelerated hardware performance you need to showcase your skills both in the studio and live on stage.
Get killer tone
Record your performance
Play with the feel of a real amp
Customize your sound
Sizzle on stage
Pro Tools | Eleven Rack gives you access to the sounds of dozens of legendary guitar and bass rigs for a fraction of the price of a single vintage amp. From bright clean tones to massively distorted growls, you'll always have the perfect tone at your fingertips for the song at hand.
FOR PRO TOOLS RECORDING/MIXING
System Avid-qualified Mac or PC (see details)
USB Port Requires two free USB Ports for Eleven Rack connection and iLok software authorization (iLok 2 included)
FOR LIVE PERFORMANCE
System No computer needed just you, Eleven Rack, and your guitar or other instrument
Compatibility
ADDITIONAL SYSTEM REQUIREMENTS
Eleven Rack Works with Pro Tools software or use standalone for live performances
Pro Tools Works with Eleven Rack, a third-party audio interface, or standalone
Eleven Rack Editor Requires one of the following 64-bit operating systems:
OS X 10.8 and later
Windows 8
Windows 7
Plug-ins Supports 64-bit AAX Native plug-ins in Pro Tools
Specifications
INPUTS, PREAMPS and OUTPUTS
Converters 24-bit
Sample Rates 44.1, 48, 88.2 and 96 kHz
Analog Input 1 XLR Mic Input with 48V Phantom Power
1 x 1/4' TS True-Z
2 x 1/4' TRS Line
2 x 1/4' TRS FX Loop Return
Analog Output 2 x XLR Main
2 x 1/4' TRS FX Loop Send
2 x 1/4' TS output to Amp
Digital Input 1 x XLR AES/EBU
1 x RCA coaxial S/PDIF
Digital Output 1 x XLR AES/EBU
1 x RCA coaxial S/PDIF
MIDI I/O 2 x 5-pin, DIN MIDI In, MIDI out/thru
Sync I/O AES/EBU
S/PDIF
Headphone Output 1 x 1/4' TRS
Dimensions (WxHxD) 19 x 13.5 x 3.5 inches
(48.3 x 34.3 x 8.9 cm)
Key features
Capture your performance
With Pro Tools | Eleven Rack, you have a variety of inputs and outputs to connect your gear. Plus, you can create big, complex mixes without worrying about distracting latency thanks to the hardware's dual high-resolution DSP power. Connect your guitar, microphone, and other analog, digital, and MIDI gear. With its high-quality connectors, you'll always get great sound.
See hardware specs
Access the greatest amps and more
Crank up incredible emulations of classic amp tones inspired by Fender, VOX, Marshall, Soldano, Bogner, Mesa/Boogie, and more (see details below). Eleven Rack comes loaded with dozens of amp and speaker cabinet models, plus classic stompbox effects and microphone emulations to customize your sound.
Create pro-level productions
Compose, record, edit, and mix large, richly detailed music and audio sessions easily with the included 1-year subscription to Pro Tools software. With turbocharged 64-bit performance, coupled with Eleven Rack's DSP acceleration, you gain incredible power and near-zero latency to keep even the biggest sessions running smoothly. Plus, the built-in guitar tuner will help you stay in tune or detune.
Discover Pro Tools
Round out your band
Gain access to a wide range of virtual instruments and sounds, ready to accompany your guitar wizardry. Use them together with the MIDI and notation tools, and you have an expansive canvas and boundless sonic resources to be creative. From drum machines and a grand piano, to a sample workstation that delivers bass, synth, orchestral, and other sounds, making music has never been more fun or easy.
Edit and enhance tracks
Pro Tools comes loaded with tools to help you perfect your mix. Punch in and out of recordings. Change or fix tempo, time, and pitch. Comp together tracks to create flawless performances. Accelerate mixing tasks with powerful automation. And polish tracks with studio-essential effects and sound processing plug-ins from high-quality reverbs and EQ, to coveted compressors and other dynamics.
See included plug-ins
Rock your talent on stage
Eleven Rack can also be used as a standalone amp and effects emulator for live performances. Get the feel of playing through real vintage gear, complete with amp sag and speaker cone breakup. Access a vast collection of emulated classic stompbox effects. And when used with a MIDI controller or expression pedal, you gain full foot control over everything from vintage wah-wah effects to tempo-driven delays.
Customize your setup
With the Eleven Rack Editor, you can edit Eleven Rack settings on your computer without having to launch Pro Tools. The interface displays simple graphic representations of your pedal, amp, and speaker settings, so you can interact with your rig intuitively and get the sounds you want fast. You can even use the editor to download and play user-created presets from Elevenrackpresets.com and other portals.
Download it now
Amps
59 Tweed Lux
Based on a 1959 Fender Deluxe, our amp delivers the iconic sounds of this studio favourite. Get crunchy clean tones when used with single-coil pickups, or fat leads when driven with humbuckers. In our emulation, the knobs range from 010 to match other amps in Eleven Rack and maintain control surface and automation control consistency. And its jumped, so you can feed the Instrument and Mic inputs in parallel.
59 Tweed Bass
The 1959 Fender Bassman became the holy grail of tone for nearly every pioneering country, rock, and blues guitarist of the 50s and 60s. In our emulation, the knobs range from 010 to match other amps in Eleven Rack and maintain control surface and automation control consistency. And its 'jumped,' so you can feed both the Bright and Normal inputs.
64 Black Panel Lux Vibrato/Normal
Based on the 1964 model, the 20-watt Fender Deluxe Reverb has been used to record countless #1 hits in Nashville. At low volumes, it achieves a crisp, clean high-end with single-coil pickups. But push the amp past 7 with a humbucking pickup, and you've got an amazingly dynamic lead. Our emulation models both the Vibrato and Normal channels of this classic blackface-era amp.
66 AC Hi Boost
The VOX AC30 defined the sound of British pop/rock in the 60s with its distinctive high-end chime and glassiness. While the Beatles are forever linked to the AC30 Top Boost, many other great bands built their sound with it, including Tom Petty and The Heartbreakers, REM, Radiohead, and U2. For our emulation of the 1966 model, we jumped the Normal and Brilliant channels.
67 Black Duo
Without a doubt, the blackface-era Fender Twin Reverb is considered one of the greatest combo amps ever made. No concert stage was complete without one. Our emulation of the 1967 model is just like the originals you turn the Volume knob up, the Bright switch has less of an effect. Dial the Volume knob around 3 or 4 with the Bright switch on, and you'll get that ultra-clean snap that its famous for.
69 Plexiglas 100W
Marshall amps were originally designed as a lower cost British alternative to Fender amps. Within two years, they gained favour among such guitar players as Eric Clapton and Pete Townsend. Our emulation is based on the legendary 100-watt 1968/69 Marshall Super Lead head, and also has the lay down transformers favoured by Eddie Van Halen. We also jumped both channels like Eric Johnsons setup.
82 Lead 800 100W
The Marshall JCM800 delivers massive rhythm distortion thanks to its cascaded preamp design, a quartet of EL34 tubes, and the addition of a master volume. Unlike Marshall heads of the 60s, which needed to be on 10 to achieve any overdrive, a JCM800 could deliver real distortion at any volume level. Our emulation of a 1982 100-watt 2203 head captures the unmistakable growl of this highly respected vintage amp.
85 M-2 Lead
The Mesa/Boogie Mark IIc+ is one of the most desirable amps ever made. It can be heard on everything from the soaring solos of Dream Theatres John Petrucci to the super chunky rhythm sounds of Metallica's James Hetfield, who set the EQ in a V curve to maintain a tight bass sound. Our emulation is based on the 1985 Lead channel, with the Fat, Bright, and Gain Boost options on and we even re-created the V EQ curve!
89 SL-100 Drive / 89 SL-100 Crunch / 89 SL-100 Clean
After gaining a reputation for making high-gain mods to old Marshall heads, Michael Soldano created his own Soldano SLO-100 100-watt amp, known for its singing sustain and clear articulation. For our emulation, we modelled three different channels of the 1989 model. Clean and Crunch both have the Bright/Normal switch of a stock SLO-100. For Drive, we emulated Soldanos bright switch mod.
92 Treadplate Modern/92 Treadplate Vintage
The Mesa/Boogie Dual Rectifier offered more tone-tweaking options and distortion than any Boogie before it. The amp became the industry standard for players looking to achieve a massive sound. For our and#700;92 Treadplate, we modelled two different channels. Treadplate Modern, based on the Red channel, delivers a tight, aggressive tone. Treadplate Vintage, based on the Orange channel, offers a more fluid lead tone.
DC Modern Overdrive Avid custom amp
If you're looking for a unique tone that blends the classic growl of a 100-watt Marshall with more low-end girth, give our DC Modern Overdrive a try. Based on the Marshall JCM800, we added loads of extra gain and a carefully tweaked tone stack for a little extra thump. Plus, there's a Bright switch and a Fender-style Tremolo. Use a humbucker in the bridge position and you'll have a tone that can shred with the best of them.
DC Vintage Crunch Avid custom amp
For our DC Vintage Crunch emulation, we blended the two most popular versions of the Fender Deluxe into one killer amp. Based on the tweed-era Deluxe, we added more gain and a Bright switch. To make it even more versatile, we added the blackface-era tone stack and tremolo. Using single-coil pickups, you can achieve glassy clean sounds and punchy leads with ease.
* Eleven Rack is not connected with, or approved or endorsed by, the owners of the Fender, Marshall, Mesa/Boogie, Soldano, or VOX names. These names are used solely to identify the guitar amplifiers and cabinets emulated by Eleven Rack.
Expansion pack amps
64 Black Vib
The Fender Vibroverb combo amp was one of the all-time great US-made smaller club amps. The amp strikes a great compromise between the crunch of smaller models in the line and the hall-filling clean tones of the larger models. Our version of the 1964 amp offers a range of volume and tone controls, plus four Tremolo settings. We also added a midrange control (not found on the original) for more tonal versatility.
65 Black Mini
Though small in stature and volume, the original Fender Champ amp offered sweet, gently driven tones and straight-ahead spank in droves. Its ability to produce classic tube amp sounds at low volumes made it a studio standard for decades. Our 65 Black Mini amp model is based on the 60s-era tube combo amp, offering Volume, Treble, and Bass controls, and four Tremolo settings Speed, Sync, Intensity, and Vibrato.
65 Black SR
Known for its chiming clean tones at relatively high volumes, the 65 Fender Super Reverb 'blackface' 40-watt combo amp featured an all-tube design and became a legend among country, blues, and other guitar players who favoured high-volume clean tones. Our version offers Volume, Treble, Mid, and Bass controls, along with a Bright switch and four Tremolo settings, to capture the full tone profile of the original.
65 J45
The Marshall JTM45 was the first guitar amp made by Marshall, based on the Fender Bassman. The amp was known for its warm, clean Fender Tweed-like sound, giving way to a dirtier bluesy sound when cranked unlike later Marshall amps, which are known for their signature crunch. Our model features two bridged input channels Channel 1 offers a fairly flat tonal response, while Channel 2 is somewhat darker sounding.
67 Plexiglas Vari
The Marshall Super Lead Plexi was among the loudest amps when it arrived. Its warm, bluesy tone is embraced by many revered blues and rock guitarists. Our amp is based on the 1967 100-watt tube head, but simulates that amp having its voltage reduced by a variable transformer the customer Variac mod made famous by Eddie Van Halen. Channel 1 has a fairly flat tonal response, while Channel 2 is somewhat darker sounding.
68 Plexiglas 50w
In 1968, Marshall changed up the circuitry in its Super Lead Plexi series of amps, giving them more brightness, which brought out even more crunch. Our Plexiglas model is based on the legendary 1968 Marshall Super Lead 50-watt head, which was designed with a lower power tube plate voltage, and is known to break up at lower levels than its 100-watt counterpart. We also jumped both channels for even more gain.
69 Blue Line Bass
When it comes to getting that big, ballsy, blow-em-away tone, guitarists have their Marshalls. Bassists bow to the great Ampeg SVT bass amplifier. And now you can get that thunderous, sought-after sound with our emulation of the vintage 300-watt 1969 Ampeg SVT bass amp head. In our version, the U-Lo and U-Hi controls are continuously variable, so you can use them to add low or high harmonics to your tone.
97 RB-01b Red, Blue, and Green
The 100-watt Bogner Ecstasy 101B boutique amp enabled variety-hungry guitarists to achieve a huge range of vintage amp tones, without the tonal and ergonomic issues of modular amp setups. The Red channel excels at high-gain lead tones, Blue is suited to chunky rhythm playing, and Green focuses on clean tones. Our model offers a variety of volume, tone, gain, presence, and boost controls, plus a Bright switch.
DC Bass Avid custom amp
For bassists, our amp is based on the same 300-watt and#700;69 Ampeg SVT bass head we used as the basis for the Blue Line Bass model. We designed this custom bass amp with a scooped lower-midrange response, enabling you to achieve more thundering lows with a tighter response than the original amp. And unconventionally for a bass ampours offers a tremolo circuit.
DC Modern 800Avid custom amp
A variant of our Lead 800 model, DC Modern 800 is based on an and#700;80s-era Marshall JCM800 high-gain tube head. We made a couple of simple component swaps to change the tone significantly, and added a Bright switch to provide additional tonal range.
DC Modern CleanAvid custom amp
This custom amp is loosely based on a 60s-era Fender 85-watt tube combo amp. We tweaked our version to provide shimmering clean tones.
DC Modern SODAvid custom amp
This amp is loosely based on a US-made late-and#700;80s 100-watt 'super overdrive' tube head. It features a tight, extended low-end and high-gain capability perfect for players of extended-range guitars.
DC Vintage CleanAvid custom amp
This amp is loosely based on the same and#700;66 VOX AC30 Top Boost tube amp we used as the basis for our AC Hi Boost model. We further refined it to offer a range of tones from super clean (its actually cleaner than the original amp) to a slight amount of breakup.
DC Vintage ODAvid custom amp
This unique overdrive amp is loosely based on a combination of Marshall and VOX tube amps. It takes the preamp section from our Plexiglas model and marries it to the power section of our AC Hi Boost model, with further tonal enhancements.

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