Steiberg UR44 Audio Interface
From R644.00 x 12 months
Buy this item and earn 5,904 "My Audio Rewards" valued at R29.52.
6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support and MIDI I/O
The perfect balance between connectivity and portability: the UR44 is a powerful audio/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set.
Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications.
All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation.
The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level.
Some users might look for a microphone preamp to dramatically colour the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of colour to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use.
D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. Its beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.
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